MoMAで日本のアート史を振り返る展覧会が開催

第2次世界対戦は日本を焼け野原にしたが、復興期となった1950年代、1960年代と東京が変化を遂げた時期を迎え、新しい世代のアーティストや知識人が育ち、東京はインターナショナルレベルでのアートの中心地へと姿を変えた。

ニューヨーク近代美術館(MoMA)の「Tokyo 1955-1970: A New Avang-Garde」展では、草間彌生やナム・ジュン・パイク、オノ・ヨーコなどを輩出したこの時代を取り上げ、建築、デザイン、アートにおけるムーブメントの変遷を振り返っている。



今回のエキシビションには絵画、写真、グラフィックデザイン、建築図面、映像作品、ドキュメンタリーなど、MoMAのコレクションに加え、日米のプライベートコレクションを含めた200点が展示されている。展示は黒川紀章や丹下健三などの建築家によるムーブメント「メタボリズム」を紹介するセクションや、山下菊二や池田龍夫による「ルポルタージュ絵画」を紹介するセクションがある他、具体美術協会や草月アートセンターなど、総合的にアートを扱った諸団体の概要とジョン・ケージなどを日本に紹介したその役割など、彼らの歴史を紹介するセクションなどが設けられている。またインタラクティブなウェブサイト上では東京のアート史が網羅されており、もの派(1960年代末から1970年代中期まで続いた日本の現代美術における大きな動向)や森山大道などを詳しく調べることが出来る他、会期中はパフォーマンスアートや映像作品のプログラムも組まれており、コンタクト・ゴンゾや、エイコ&コマ、荒川医、トラジャル・ハレルなどの出演が予定されている。

MoMAで展示される日本のアート作品は下記のギャラリーからどうぞ
8 PHOTOS
Tokyo 1955–1970: A New Avant-Garde
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MoMAで日本のアート史を振り返る展覧会が開催

Yokoo Tadanori.(Sōzōsha) (Shinjuku dorobō nikki [Sōzōsha]). 1968. Screenprint. 39 1/4 x 28″ (99.7 x 71.1 cm). The Museum of Modern Art, New York. Gift of the designer. © 2012 Yokoo Tadanori

Nakanishi Natsuyuki. Compact Object (Konpakuto obuje). 1962. Bones, watch and clock parts, bead necklace, hair, eggshells, lens, and other manufactured objects embedded in polyester. 5 5/8 x 8 3/8 x 5 1/2″ (14.3 x 21.2 x 14 cm). The Museum of Modern Art, New York. Frank Crowninshield Fund. © 2012 Nakanishi Natsuyuki

Tateishi Kōichi (Tiger Tateishi). Samurai, the Watcher (Kōya no Yōjinbō). 1965. Oil on canvas. 51 5/16 x 63 3/4″ (130.3 x 162 cm). The National Museum of Art, Osaka. © Estate of Tiger Tateishi, courtesy The National Museum of Art, Osaka

Yamaguchi Katsuhiro. Vitrine: Deep into the Night (Vitorīnu: Yoru no shinkō). 1954. Watercolor on paper, oil on wood, corrugated glass. 25 3/4 x 22 1/4 x 3 9/16″ (65.5 x 56.5 x 9 cm). Museum of Contemporary Art Tokyo. © Yamaguchi Katsuhiro, courtesy Museum of Contemporary Art Tokyo

Nakamura Hiroshi. Upheaval (Nairanki). 1958. Oil and pencil on plywood. 36 1/4 x 72 7/16″ (92 x 184 cm). Aichi Prefectural Museum of Art, Nagoya. © Nakamura Hiroshi, courtesy Aichi Prefectural Museum of Art, Nagoya

Nakamura Hiroshi. Circular Train A (Telescope Train) (Enkan ressha A [Bōenkyō ressha]). 1968. Oil on canvas. 71 5/8 x 89 9/16″ (182 x 227.5 cm). Museum of Contemporary Art Tokyo. © Nakamura Hiroshi, courtesy Museum of Contemporary Art Tokyo

Ikeda Tatsuo. Arm (Ude). 1953. Oil on canvas. 28 5/8 x 23 7/8″ (72.7 x 60.6 cm). Itabashi Art Museum, Tokyo. Courtesy Itabashi Art Museum, Tokyo

Ay-O. Pastoral (Den’en). 1956. Oil on panel. 72 1/16″ x 12′ 1 13/16″ (183 x 370.4 cm). Museum of Contemporary Art Tokyo. © Ay-O, courtesy Museum of Contemporary Art Tokyo

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■関連フォトギャラリー
11 PHOTOS
水玉模様を描き続ける天才画家、草間彌生
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MoMAで日本のアート史を振り返る展覧会が開催

Yayoi Kusama (b. 1929), Self-Obliteration (original design for poster), 1968. Collage with gouache and ink on paper, 18 1/8 x 11 in. (46 x 28 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), Flowers and Self-Portrait, 1973. Collage, watercolor, and ink on paper, 20 7/8 x 16 9/16 in. (53 x 42 cm). Ota Fine Arts, Tokyo. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), Self-Portrait, 1972. Collage with pastel, ballpoint pen, and ink on paper, 29 5/16 x 17 5/16 in. (74.4 x 44 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), Self-Obliteration No. 3, 1967. Watercolor, ink, pastel, and photocollage on paper, 15 7/8 x 19 13/16 in. (40.4 x 50.4 cm), Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), Self-Obliteration No. 1, 1962--7. Watercolor, ink, graphite, and photocollage on paper, 15 7/8 x 19 13/16 in. (40.4 x 50.4 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), Man Catching the Insect, 1972. Collage with oil on paper, 19 7/8 x 16 15/16 in. (50.5 x 43 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), Untitled, c. 1962--3. Collage on paper, 23 13/16 x 25 in. (60.5 x 63.5 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), An Encounter with a Flowering Season, 2009. Synthetic polymer on canvas, 51 5/16 x 63 3/4 in. (130.3 x 162 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), Late-night Chat is Filled with Dreams, 2009. Synthetic polymer on canvas, 63 3/4 x 63 3/4 in. (162 x 162 cm). Collection of the artist. (c)
Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), I Want to Live Honestly, Like the Eye in the Picture, 2009. Synthetic polymer on canvas, 51 5/16 x 63 3/4 in. (130.3 x 162 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

Yayoi Kusama (b. 1929), All about my Love, and I Long to Eat a Dream of the Night, 2009. Synthetic polymer on canvas, 51 5/16 x 63 3/4 in. (130.3 x 162 cm). Collection of the artist. (c) Yayoi Kusama. Image courtesy Yayoi Kusama Studio Inc.; Ota Fine Arts, Tokyo; Victoria Miro Gallery, London; and Gagosian Gallery, New York

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7 PHOTOS
ゲイシャ
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MoMAで日本のアート史を振り返る展覧会が開催


Brooklyn Museum - Ogata Gekko



Brooklyn Museum - Yamaguchi Soken

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14 PHOTOS
カモフラージュ・アートの世界
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MoMAで日本のアート史を振り返る展覧会が開催

Camouflage stunt to mark the UK premiere of the new series of CIA drama, Covert Affairs.

IMAGE: Tim Anderson/Barcroft Media

Camouflage stunt to mark the UK premiere of the new series of CIA drama, Covert Affairs.

IMAGE: Tim Anderson/Barcroft Media

Camouflage stunt to mark the UK premiere of the new series of CIA drama, Covert Affairs.

IMAGE: Tim Anderson/Barcroft Media

Blending in with the floor of a quarry.

IMAGE: C. Roper

From a campaign for the Irish National Lottery

There is a person with head and hand painted to blend in with the fruit. Can you spot him? (This work was featured on the cBBC programme Smart).

For a Mars Volta album cover

Model painted for the cover of a Graham & Brown catalogue.

Produced in London for 'A Suit That Fits' .

Produced for the Stormback Catalogue by Storm Thorgerson.

IMAGE: Rupert Truman.

Produced for the Stormback Catalogue by Storm Thorgerson.

IMAGE: Rupert Truman.

This work was used on the cover of Biffy Clyro's CD 'Puzzle'. Copyright 14th Floor Records.

IMAGE: StormStudios.
This work was used on the cover of Biffy Clyro's CD 'Puzzle'. Copyright 14th Floor Records.

IMAGE: StormStudios.

Sun Page 3 model Sam Cooke and actor Jason Flemyng were transformed into characters Mystique and Azazel to publicise the release of 'X Men First Class' movie on Blu-ray and DVD by Twentieth Century Fox.

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